片名：《村妓》未删减HD中字

《《村妓》未删减》埃里克·冯·施特罗海姆拍的这部电影，什么时候公映啊

《《村妓》未删减》高清科幻片电影完整版http://www.ytgg1688.com/g16/277845-0-0.html

制片地区： 美国

导演： 埃里克·冯·施特罗海姆

编剧： 埃里克·冯·施特罗海姆

主演： 萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming

上映时间： 1919

对白语言： 汉语普通话 / 英语

色彩： 彩色

更新时间：2025-07-08 07:35

《《村妓》未删减》讲述的是什么故事？

  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

《《村妓》未删减》上映后，票房并不好，这部电影有哪些不足之处？

《《村妓》未删减》无论票房是多少口碑怎么样，它都是值得一看的电影。虽然剧情上《《村妓》未删减》可能不够紧凑，但是《《村妓》未删减》的科幻特效绝对是当下国内最高水准，也是首部华语科幻片大片。况且，还是 萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming的电影，那就更应该去支持一下。

导演：埃里克·冯·施特罗海姆谈主演监制《《村妓》未删减》，他对这部电影最大的感触是什么？

埃里克·冯·施特罗海姆不仅是《《村妓》未删减》的出品人，而且还是《《村妓》未删减》的总编制，甚至是这部《《村妓》未删减》的主演，《《村妓》未删减》这是一部充满着诚意的影视作品，将会在1919全国公映。在《《村妓》未删减》的首映礼上，虽然埃里克·冯·施特罗海姆已经来到了内地，但因为疫情防控的原因，埃里克·冯·施特罗海姆萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming只能够通过视频连线的方式，与现场的观众进行交流，埃里克·冯·施特罗海姆萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming对这部电影进行了介绍，同时表示这部电影就像是自己的孩子出生一样，自己感觉到十分开心，而且感觉到十分紧张。